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Cecil Forsyth - Concerto for viola and orchestra G Minore
Teichmanová, Radka ; UNTERMŰLLER, Karel (advisor) ; Nouzovská, Kristina (referee)
This bachelor thesis deals with the personality of British musician Cecil Forsyth
and his work. In the first part we learn about his life, where he lived, he worked
what and when he composed and contributed to the viola repertoire. Publication Orchestration,
which has a great impact on today’s concept of orchestration, shouldn‘t
be also ignored. The second part deals with the analysis of the work itself – Concerto
for Viola and Orchestra G minor. And in the final chapter he deals with the
comparison of interpretative recordings of two well-known violists, which he also
mentions.
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Works for viola solo in 20th and 21th century focused on Czech composers
Nouzovská, Kristina ; PĚRUŠKA, Jan (advisor) ; VIČAR, Jan (referee)
This dissertation is looking into a problematic of solo viola repertoire in 20th and 21th century focused on Czech composers and with a selection of major international works.
It deals also with a development of viola as a solo instrument thanks to its interpreters. It would be almost impossible to get on viola on solo concert stages without them.
This thesis is divided into four main captures, which are focused mostly on single pieces and it is written from an interpret´s point of view.
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Viola in the work of Bohuslav Martinů
Kocna, Jakub ; PĚRUŠKA, Jan (advisor) ; UNTERMŰLLER, Karel (referee)
This bachelor thesis´subject is the czech composer Bohuslav Martinů and his most important pieces for viola. The first chapter depicts his life´s journey from Polička to Europe and America. It also mentions his most memorable works. The second part of the thesis focuses on four of his works for viola: Rhapsody-concerto for viola and orchestra, Sonata for viola and piano and two duets for violin and viola. Each piece is briefly described and analyzed.
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The methodology of the viola
Krejbich, Tomáš ; PĚRUŠKA, Jan (advisor) ; UNTERMŰLLER, Karel (referee)
As the title suggests, this diploma thesis is going to question the methods of the viola playing. The word methodology itself is quite a wide topic to discuss,
in the history of the books about music, this literature is very often dedicated to some analysis of the instrument as well as the player himself and their mutual connection and how to work on it. So these are usually overall technique tutorials and manuals given to improve the playing, full of images and pictures, which bring some promise of improvement if being followed word for word. Many books have been written by multiple writers, devoted to all sorts of instruments and each of them gave their imprint and if put altogether, they even might embrace the whole music player's capacity. The goal of the author here is not making another detailed methodology, focused on particular issues, he more wants to discuss the difference between the violin and the viola, since he has had the time to observe both in years and mainly he would like to share the knowledge obtained during his everyday studies, thus contribute or bring someting new to this world of methodology. The work is deeply focused on free-writing more than source-finding, therfore there are minimum of resources or links. It hopes to give help to the potential reader and same the author himself, as he would like to sort out his musical values.
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VIOLA LITERATURE IN SLOVAKIAN PRODUCTION
Pechočiak, Adam ; MALÝ, Lubomír (advisor) ; PĚRUŠKA, Jan (referee)
The aim of my work is to introduce the information about the viola literature of the 20th century in Slovakia in the works of Slovak composers. Although the work of this category is quite extensive, it´s less known to the public.
My motivation was an effort to map all the works and their character in the time sequence. To my knowledge this phenomenon has not been processed yet. Therefore I would be very pleased, if this work will be beneficial for both professionals and the wider public, with a focus on art school.
I believe that the present comprehensive look at the Slovak viola works will help creating a better orientation in varied numerous slovak viola pieces of 20th century and conveys important information of this issue.
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